Two original K-Pop instrumental tracks (Alpha and Break, The Bell) produced end to end in Cubase Pro and submitted to ARTiffect Music, a Seoul/LA-based publisher whose chief producer Jake K has credits on NCT, TWICE, and aespa. Both tracks were evaluated end to end on beat, mix, and master, and both cleared Round 1. Every element was produced solo: arrangement, layered drum samples, instrumentation, mix, and master.
INTEGRATED
−10.5 LUFS
RANGE
+6.0 LU
TRUE PEAK
−1.00 dBTP
DAW
CUBASE PRO
Alpha · ARTiffect Round 1 submissionBreak, The Bell · ARTiffect Round 1 submission
02
JAN 2026 — PRESENT · TOPLINE / BEAT / CO-WRITER
Stream Music Inc. — Exclusive Songwriter Contract
Exclusive songwriter contract with Stream Music Inc. (writer platform: StrawberryFields) since January 2026 (provisional agreement from 2022), covering topline, beat / instrumental, and co-writer contributions. Stems and project files delivered to publisher spec. No commercial releases yet.
FEDERATION OF KOREAN TRADE UNIONS · 2023 · 3-PERSON TEAM
FKTU Labour Culture Festival — Video Category, 3rd Place
3rd place (Labour Value Award, joint 3rd) out of 47 teams in the video category of the 5th FKTU Labour Culture Festival (2023). A three-person team: my part was the chorus and backing-track composition, music production, the chorus / main vocal, and most of the After Effects and Premiere edit; lyrics and visual concept were shared with teammates. Published on the federation's official YouTube channel.
Pitching catalogue under the Stream Music contract; self-mixed and self-mastered tracks (no commercial releases yet); ongoing audition submissions to tier-1 K-Pop publishers. Below: two recent songs (track production on a provided topline), an orchestral piece, and a horror cue — arrangement, mix, and master by me; the orchestral piece and the horror cue are my own compositions.
Glory March · track production on a provided topline · self-mixed and masteredNocturne · track production on a provided topline · self-mixed and masteredOrchestral · 130 BPM · FL Studio · 2022Horror cue · 16 s · FL Studio · 2023
05
MAR 3 — 31, 2026 · CONTRACT
The Blue Studio — BLUE LAB, AI Content Production
Staff at The Blue Studio's BLUE LAB (role: AI content production). Trained identity LoRAs on real actor photography (AI-Toolkit) and generated scenes in ComfyUI: set the dataset-tagging standard, ran overfitting checks, edited ComfyUI node graphs, and benchmarked the LoRA with ArcFace against a commercial baseline (Higgsfield Soul 2.0): 0.6050 vs 0.5090, +18.9%. The pipeline documents, scripts, and numbers are published with the company's permission under Engineer › Research; actor names, photos, and deliverables stay private. The two captures below are from my personal R&D 'Lee Seol' LoRA on the same stack (AI-Toolkit · ComfyUI), February 2026, before I joined.
STACK
COMFYUI · AI-TOOLKIT · HIGGSFIELD
Personal R&D capture (Feb 2026) · AI-Toolkit dataset — synthetic character Lee SeolPersonal R&D capture · ComfyUI Z-Image Turbo + Lee Seol LoRA inference graph
06
OCT 2025 — FEB 2026 · VIDEO EDITOR · SCRIPT TO FINAL EDIT
Jojo Investment — YouTube Shorts Series
Built and ran the full AI content pipeline for a finance-education Shorts series. Stack: Grok (face generation) → Nanobanana PRO (wardrobe / styling) → ElevenLabs V3 (voice) → Heygen (avatar). Made 5–6 shorts a day from script to final edit, working against the team's target metric (700–800 new members a month). Channel strategy was a team call; script, generation, and editing were mine.
